![]() after using a peterson virtual strobe for years on my bench, the turbo was a big step up for me. The peterson is great, and way better than regular tuners, but it filters out everything but the octaves, leaving out information about overtones that the turbo (and real mechanical strobes) show. a tu-2 is very stable, because it has a 6-cent wide margin of error. On normal tuners, a "stable" display is by definition one that's not following the string. (hit it with sine waves from a synth and the display will show no "instability" because the sound has none.) In that way it's 100% "stable", because there is absolutely no lag or processing between the string's actual vibration with all its complexity and what you see in the display. it is in fact doing exactly what the string is doing, transients, overtones and all. ![]() The turbo's display is driven directly by the string, so it's not that it's less stable, it's more accurate. (that's why i won't gig with anything else).Īs for the display, you guys have it backwards. The video shows how much faster the turbo tracks, that's all. That's why strobe tuners are better for set-up work. Now if you're setting up and get in-tune readings at either extreme, instead of being off by 6 whole cents, you're only off by 0.2 cents. It's got an accuracy of 0.1 cent- a tenth of a cent. Now compare that to the Peterson virtual strobe technology. That's going to be noticeable when you start playing with others. When you play the open string and it reads as in tune even though it's 3 cents flat, then when you play the fretted note and it reads as in tune except it's now 3 cents sharp, you've got a 6 cent error. But if you're doing set-up and the tuner is only accurate to ± 3 cents (the published specs on the Boss TU-2), then when you set up the bridge, you could be off by as much as 6 cents. They're fine for getting into tune on stage with everyone else. It took me about five minutes to get the G string on that guitar set so it sounded in tune all they way up and down, and in conjunction with all the other strings. But I bought a Peterson VS-II as soon as I could and used one electric guitar that had never sounded right no matter what I did as the test. It got to the point where I used a Sabine and a Boss TU-2 in series to average out the discrepancies. After I left retail music I got by OK for the most part with various tuners using quartz timer systems (what they all use- despite the advertising hype most tuners wind up being about the same). I started in a guitar store with a real Conn Strobo-Tuner. Whether that makes a difference is where the issue is. When Surf Guitar is outlawed only outlaws will play Surf Guitar.If it's not a virtual strobe, or a real strobe, it's not as accurate as it could be. Beyond that there are questions about equal temperament and the subject quickly becomes a philosophical argument, possibly even a religious one. Setting intonation at the 12th fret is usually as far as anyone takes it because if they start measuring intonation at other frets they will probably become frustrated, there are all sorts of compromises built into our beloved instruments. Every so often someone comes out with a guitar that has compensated fret placement but so far they've never caught on. The thing to remember is that a guitar is not as precise as we would like to think. I do intonation the same way as you, on my 1986 TU-12 boss tuner, The fret spacings, the general pressure of playing, vs. Intonation is also a function of the math put into Intonation needs to be close, but it's rarely perfect and even if it's perfect that the 12th fret it's probably not perfect other places on the neck. Charge up this large-screen chromatic StroboPlus HD tuner (with over 90 Sweetened tunings) and use the built-in microphone or input to plug in and tuneit’s that simple Edit with software to customize this tuner to be precisely what you want it to be Find Dealers. I think that the proof would come in how it sounds when played along with other instruments. (Just wondering if I should trust my senses or not.) The rich dudes took their gutiar to the store and had 'em strobed.ĭo you compare using the tuner or just your ear? I've spent a lot of time repairing and setting up my latest acquisition, but I'm feeling kinda lazy about the intonation right now because chords and scales sound pretty good to my ear already. I set intonation with the old harmonic method for years. As long as they are the same (whether both equally flat, both equally sharp, or both in tune) I'm good.[/quot_ How do you do your intonation setup? My quick check is to compare the open-string first harmonic with fretting at the 12th fret. I can't say how accurate my Pocket Pod's tuner is in terms of percentages of absolute frequency, but it seems to "hear" differences that my ears cannot hear, unless I'm comparing two strings at once and listening for beat frequencies.
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